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Sun​-​Scorched Songs of Sorrow

by Helen Bell

/
1.
Quite unexpectedly here I stand among the last thousand left on earth So far removed from the illusion we were born into In all the dissonance will we understand That a record of our footsteps is something we should hold onto? And would we search for every scrap of what we once discarded? Build a salvage-library to keep our fading knowledge safely guarded But it’s all gone quiet Though there’s no solace in the mud We have to try it Now all our systems and our crimes Are lying scattered by the flood There are paths to our survival in the new and the archival A misjudgement in their balance a risk of nothing left But a sun-scorched song of sorrow in a moment as we wander Through the puzzles of the free and bereft If we could realign the shards of what we used to think They’ll be bound for annotation in the Institute of Things We Must Not Do And in that mausoleum in the quiet dark Illuminate our errors and our shame to inform the new But for now all take a hold of every rag and every question that we find So much truth to excavate and so many wounds to bind
2.
Welcome to the Mandelbrot treadmill Welcome to the never-setting sun Welcome to the ever-round-the-corner moon That lays an even light on everyone Welcome to the circuits in our fingers Welcome to my eyes across the street Welcome to the cadence in our tendons Welcome to the shifting plates beneath our feet Hold that Right there While we do we stay alive inside a song Hurts like honey on your tongue Keep this Right here Keeping our balance in the vortex On the two before the five before the One of these days we’ll find something To hold us in between the ways to fall One of these ways we might germinate Instead of making deserts of us all Melting back to circles in our plastic Changing in our loops to keep us new Seems some wheels could use some reinventing Turns out we have quite a lot to do Round about the edges of the water we too could slip pentacular There are strange velvet gravities and beckonings tentacular But there are calculations and slingshots To harness tension, harvest momentum in redirected flow And old delicious cold black hole oblivion is the not the only way that this could ... Go to all your liminal parties And dance among the other grains of sand Ask the question differently and sideways I will answer once I understand Come with me along the furthest tree branch Maybe we can visualise the wood Here’s the only way this could have been Except for all the other ways it could
3.
Jackdaw 03:55
Coalface jackdaw on my chimney What do you know? Where will you go As we keep hacking and burning? No capacity for why Nowhere left to fly Would you drop out of the sky All blackening and turning? And the earth is riven But the rivets are forgiven In the name of disposable days Do you pick the quickthorn berries from the dust And ache for us to end our ways? But feathers can't fight diggers Nowhere left to fly So here you stay and all the air turns grey. Coalface jackdaw on my chimney How can it be That we can’t see? It’s not so hard to stop, is it? On command of just a few The system shackles all we do Each day, and mines the people We stay helplessly complicit And the earth is riven But the rivets are forgiven In the name of disposable days Do you pick the quickthorn berries from the dust And ache for us to end our ways? How many feathers would it take to fight a digger? Is this the way we’ll stay As all the air turns grey?
4.
Last week we said we’d meet for a sandwich and thermos of tea By the river, but I don’t recall – was it you, was it me? Said “I cannot come out cos I’m strapped to a deadline And wracked by the constant dystopian headlines” Then news came in late that the plague had mutated again So it wasn’t to be So we stayed in our holes while all context collapsed Reality’s cancelled you know: re-draw all the maps! And there are a few hoarding gold-plated plastic With their hourly disposable highs While the dreams and ideals of the possible Are crushed flat by the market's designs

about

"Sun-Scorched Songs of Sorrow" is the second in a series of three EPs that will eventually form my next full-length album.

This collection of four songs is loosely themed around our relationship with the physical world. Unsurprisingly, one of the main topics is the climate crisis, particularly in relation to the systems of capitalism that restrict our actions in tackling it, as explored in “Rags and Questions” and “Jackdaw”.

Not all of the songs are sad, though: “The Two Before the Five” is about pivot points, and the redirection of energy into something unexpected.

“Vignette No. 2” is a reworking of an old song from ten years ago, which only had one verse. (You can hear this on my first album, "Roll as a Hexagon".) This new version can stand alone, but also can be viewed as a second verse to the original, documenting another tiny slice of zeitgeist a bit further down the road.

The songs were all written during the last three or four years. At the time of writing them I had not anticipated that I would be releasing them just a few days after the temperature here in the UK had passed 40°C for the first time on record.

credits

released July 24, 2022

All songs written by Helen Bell, and arranged by Helen Bell and Xenogon

Recorded by Helen Bell and Xenogon

Produced and mixed by Xenogon and Helen Bell

Vocals, viola, violin, keyboards and recorders by Helen Bell
5-string electric bouzouki, bass guitar, drums and temperamental calculations by Xenogon.

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Helen Bell UK

Prog/folk/pop singer-songwriter and multi-instrumentalist specialising in viola and keyboard instruments.

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